Publications · Demo University

Year Title Cites

2026 Harlem’s Sensuous Poetics Shane Vogel · The Cambridge History of African American Poetry 0 2026 Queer Nightlife Autopoesis: A Self-Guided Downtown Bowie Walking Tour Shane Vogel · We Can Be Heroes: Blackstar Rising and the Purple Reign 0 2023 Ann Petry and the Existential Phenomenology of Race Shane Vogel · American Literature 1 2022 Insurgent Existentialism and the Black Radical Tradition,” symposium on Radical Vision: A Biography of Lorraine Hansberry by Soyica Diggs Colbert Shane Vogel · Black Perspectives — 2022 Repetition and the Vulnerable Archive,” symposium on Infamous Bodies: Early Black Women’s Celebrity and the Afterlives of Rights by Samantha Pinto Shane Vogel · Syndicate — 2022 Waiting for Godot and the Racial Theater of the Absurd Shane Vogel · PMLA/Publications of the Modern Language Association of America 1 2021 Alain Locke and the Value of the Harlem Renaissance Shane Vogel · A History of the Harlem Renaissance 2 2020 Introduction: Tidying Up after Repetition Shane Vogel · Race and Performance after Repetition · needs review 1 2020 Race and Performance after Repetition Shane Vogel · Duke University Press — 2019 Minoritarian Aesthetics Shane Vogel · New York University Press — 2019 Review of The Rebel Cafe: Sex, Race, and Politics in Cold War America’s Nightclub Underground by Stephen R. Duncan Shane Vogel · American Literary History Online Review — 2018 Stolen Time: Black Fad Performance and the Calypso Craze Shane Vogel · University of Chicago Press 1 2015 Performative Affectivity and the Letitia Ernestine Brown Divorce Case Shane Vogel · Signs: Journal of Women in Culture and Society 1 2015 Projection without Representation: Screening Maya Angelou in Calypso Heat Wave Shane Vogel · The Cine-Files: A Scholarly Journal of Cinema Studies — 2015 Review of Staging the Blues: From Tent Shows to Tourism by Paige McGinley Shane Vogel · Theatre Research International 0 2015 The Sensuous Harlem Renaissance: Sexuality and Queer Culture Shane Vogel · A Companion to the Harlem Renaissance 4 2014 Touching Ecstasy: Muñozian Theory and the Extension of the Soul Shane Vogel · Social Text 2 2012 Madam Zajj and US Steel: Blackness, Bioperformance, and Duke Ellington’s Calypso Theatre Shane Vogel · Social Text 22 2012 Review of Weyward Macbeth: Intersections of Race and Performance edited by Scott L. Newstok and Ayanna Thompson Shane Vogel · African American Review 5 2011 Review essay, “The New Queer Essentialism,” Shane Vogel · American Literature 0 2011 Review of Highbrow/Lowdown: Theatre, Jazz, and the Making of the New Middle Class by David Savran Shane Vogel · TDR/The Drama Review 0 2010 Jamaica on Broadway: The Popular Caribbean and Mock Transnational Performance Shane Vogel · Theatre Journal 5 2010 Review of James Baldwin’s Turkish Decade: Erotics of Exile by Magdalena J. Zaborowska and The Scary Mason-Dixon Line: African American Writers and the South by Trudier Harris Shane Vogel · American Literature 0 2009 By the Light of What Comes After: Eventologies of the Ordinary Shane Vogel · Women & Performance: a journal of feminist theory 38 2009 The Scene of Harlem Cabaret: Race, Sexuality, Performance Shane Vogel · University of Chicago Press — 2008 Lena Horne’s Impersona Shane Vogel · Camera Obscura: Feminism, Culture, and Media Studies 6 2008 Performing ‘Stormy Weather’: Ethel Waters, Lena Horne, and Katherine Dunham Shane Vogel · South Central Review 49 2007 The Harlem Renaissance Shane Vogel · Encyclopedia of Sex and Gender — 2006 Closing Time: Langston Hughes and the Queer Poetics of Harlem Nightlife Shane Vogel · Criticism · needs review — 2004 Nightclubs Shane Vogel · Encyclopedia of the Harlem Renaissance — 2004 Review of Nothin’ Beats Pussy by John Fleck. La Mama E. T. C. (The Club), New York City Shane Vogel · Theatre Journal 0 2004 Review of The New York Concert Saloon: The Devil’s Own Nights by Brooks McNamara Shane Vogel · TDR — 2002 Review of Fifth Annual Sex Workers’ Art Show. Capitol Theatre, Olympia, Washington Shane Vogel · Theatre Journal 1 2001 Review of The Wild Party by Michael John LaChiusa and George C. Wolfe, The Joseph Papp Public Theatre/New York Shakespeare Festival; and The Wild Party by Andrew Lippa, Manhattan Theatre Club Shane Vogel · Theatre Journal 0 2000 Where Are We Now?: Queer World Making and Cabaret Performance Shane Vogel · GLQ A Journal of Lesbian and Gay Studies 27 Carl Van Vechten Shane Vogel · Routledge Encyclopedia of Modernism (online) · needs review —

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2026 · chapter · book platform

Harlem’s Sensuous Poetics

The Cambridge History of African American Poetry · Shane Vogel

in CV in OpenAlex

noneScholar citations

0OpenAlex citations

From the CV

lines 89–90 · published

“Harlem’s Sensuous Poetics,” in Cambridge History of African American Poetry, ed. by Keith Leonard (Cambridge:Cambridge University Press, 2026), 151-168.

Peer reviewed: yes
First author: Vogel
Co-authors: none
Subfield: other
Method: none
Invited: none
Publisher: Cambridge University Press
Reprint or translation: none

DOI: 10.1017/9781009751391.011
OpenAlex: W7161690407

Where each field came from

Field	CV	OpenAlex	Scholar	CrossRef
title	Harlem’s Sensuous Poetics (used)	Harlem’s Sensuous Poetics
year	2026 (used)	2026
venue	Cambridge History of African American Poetry	Cambridge University Press eBooks		The Cambridge History of African American Poetry (used)
kind	chapter (used)	chapter
DOI	10.1017/9781009751391.011 (used)	10.1017/9781009751391.011
first author	Vogel	Vogel (used)

The value in bold is the one the record uses.

How the records were joined

doi merged · 1.00 · Run 18