Academic

Shane Vogel

English · Yale University

Citations received by year

OpenAlex · CV works

Series: Citations received.0510152025302012 Citations received 24242013 Citations received 112014 Citations received 24242015 Citations received 332016 Citations received 332017 Citations received 222019 Citations received 22222020 Citations received 882021 Citations received 662022 Citations received 11112023 Citations received 332024 Citations received 29292025 Citations received 13132026 Citations received 3320122014201620182020202220242026Citations receivedCalendar year
Series: Citations received.0510152025302012 Citations received 24242013 Citations received 112014 Citations received 24242015 Citations received 332016 Citations received 332017 Citations received 222019 Citations received 22222020 Citations received 882021 Citations received 662022 Citations received 11112023 Citations received 332024 Citations received 29292025 Citations received 13132026 Citations received 332012201520202026Citations receivedCalendar year

No verified Scholar annual history. OpenAlex reports annual counts for 16 of 36 counted CV works. Bars sum the available counts; coverage can differ by year. Missing years are unknown. OpenAlex histories cover a limited recent window. 2026 is an incomplete calendar year.

Publications

36 rows, 3 need review

2026 Harlem’s Sensuous Poetics The Cambridge History of African American Poetry chapter CV OA GS

CV span

lines 89–90 · CV · published

89“Harlem’s Sensuous Poetics,” in Cambridge History of African American Poetry, ed. by Keith Leonard (Cambridge:90Cambridge University Press, 2026), 151-168.

Institution fields

Peer reviewed
yes
First author
Vogel
Co-authors
none
Subfield
other
Method
none
Invited
none
Publisher
Cambridge University Press
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholarCrossRef
title cv Harlem’s Sensuous PoeticsHarlem’s Sensuous Poetics
year crossref 20262026
venue crossref Cambridge History of African American PoetryCambridge University Press eBooksThe Cambridge History of African American Poetry
kind cv chapterchapter
DOI crossref 10.1017/9781009751391.01110.1017/9781009751391.011
first author openalex VogelVogel

Citations

OpenAlex
0
Scholar
none
DOI
10.1017/9781009751391.011
OpenAlex
W7161690407

Match decisions

  • doi merged · 1.00 · Run 18
2026 Queer Nightlife Autopoesis: A Self-Guided Downtown Bowie Walking Tour We Can Be Heroes: Blackstar Rising and the Purple Reign chapter CV OA GS

CV span

lines 92–93 · CV · published

92“Queer Nightlife Autopoesis: A Self-Guided Downtown Bowie Walking Tour,” in We Can Be Heroes: Blackstar93Rising and the Purple Reign, ed. by Daphne Brooks (Duke University Press, 2026), 147-159.

Institution fields

Peer reviewed
yes
First author
Vogel
Co-authors
none
Subfield
other
Method
none
Invited
none
Publisher
Duke University Press
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Queer Nightlife Autopoesis: A Self-Guided Downtown Bowie Walking TourQueer Nightlife Autopoiesis:8 Queer Nightlife AutopoiesisQueer Nightlife Autopoiesis
year openalex 2026202620262026
venue cv We Can Be Heroes: Blackstar Rising and the Purple Reign
kind cv chapterchapterchapterchapter
DOI crossref 10.1215/9781478062059-01710.2307/jj.39744875.1510.1515/9781478062059-01710.1215/9781478062059-017
first author openalex VogelVogelVogelVogel

Also recorded as

Citations

OpenAlex
0
Scholar
none
DOI
10.1215/9781478062059-017
OpenAlex
W7170093861

Match decisions

  • doi merged · 1.00 · Run 18
2023 Ann Petry and the Existential Phenomenology of Race American Literature article journal CV OA GS

CV span

lines 50–50 · CV · published

50“Ann Petry and the Existential Phenomenology of Race,” American Literature vol. 95, no. 1 (2023): 169-183.

Institution fields

Peer reviewed
yes
First author
Vogel
Co-authors
none
Subfield
other
Method
interpretive
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Ann Petry and the Existential Phenomenology of RaceAnn Petry and the Existential Phenomenology of Race
year cv 20232022
venue crossref American LiteratureAmerican Literature
kind cv articlearticle
DOI crossref 10.1215/00029831-1034543510.1215/00029831-10345435
first author openalex VogelVogel

Citations

OpenAlex
1
Scholar
none
DOI
10.1215/00029831-10345435
OpenAlex
W4313450562

Match decisions

  • doi merged · 1.00 · Run 18
2022 Insurgent Existentialism and the Black Radical Tradition,” symposium on Radical Vision: A Biography of Lorraine Hansberry by Soyica Diggs Colbert Black Perspectives review CV OA GS

CV span

lines 107–108 · CV · published

107“Insurgent Existentialism and the Black Radical Tradition,” symposium on Radical Vision: A Biography of108Lorraine Hansberry by Soyica Diggs Colbert. Black Perspectives. 2022 (1,902 words).

Institution fields

Peer reviewed
no
First author
none
Co-authors
none
Subfield
other
Method
review
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Insurgent Existentialism and the Black Radical Tradition,” symposium on Radical Vision: A Biography of Lorraine Hansberry by Soyica Diggs Colbert
year cv 2022
venue cv Black Perspectives
kind cv review
first author cv Vogel

Citations

OpenAlex
none
Scholar
none

Match decisions

No decision recorded; a single record.

2022 Repetition and the Vulnerable Archive,” symposium on Infamous Bodies: Early Black Women’s Celebrity and the Afterlives of Rights by Samantha Pinto Syndicate review CV OA GS

CV span

lines 110–111 · CV · published

110“Repetition and the Vulnerable Archive,” symposium on Infamous Bodies: Early Black Women’s Celebrity and the111Afterlives of Rights by Samantha Pinto. Syndicate. 2022 (3,549 words).

Institution fields

Peer reviewed
no
First author
none
Co-authors
none
Subfield
other
Method
review
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Repetition and the Vulnerable Archive,” symposium on Infamous Bodies: Early Black Women’s Celebrity and the Afterlives of Rights by Samantha Pinto
year cv 2022
venue cv Syndicate
kind cv review
first author cv Vogel

Citations

OpenAlex
none
Scholar
none

Match decisions

No decision recorded; a single record.

2022 Waiting for Godot and the Racial Theater of the Absurd PMLA/Publications of the Modern Language Association of America article journal CV OA GS

CV span

lines 52–54 · CV · published

52“Waiting for Godot and the Racial Theater of the Absurd,” PMLA vol. 137, no. 1 (2022): 19-35.532023 Oscar G. Brockett Essay Prize, American Society for Theatre Research542022 William Riley Parker Prize, Modern Language Association

Institution fields

Peer reviewed
yes
First author
Vogel
Co-authors
none
Subfield
other
Method
interpretive
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholarCrossRef
title cv Waiting for Godot and the Racial Theater of the AbsurdWaiting for Godotand the Racial Theater of the Absurd
year cv 20222022
venue crossref PMLAPMLA/Publications of the Modern Language Association of AmericaPMLA/Publications of the Modern Language Association of America
kind cv articlearticle
DOI crossref 10.1632/s003081292100076610.1632/s0030812921000766
first author openalex VogelVogel

Citations

OpenAlex
1
Scholar
none
DOI
10.1632/s0030812921000766
OpenAlex
W4214940666

Match decisions

  • doi merged · 1.00 · Run 18
2021 Alain Locke and the Value of the Harlem Renaissance A History of the Harlem Renaissance chapter CV OA GS

CV span

lines 95–96 · CV · published

95“Alain Locke and the Value of the Harlem Renaissance” in A History of the Harlem Renaissance, ed. by Rachel96Farebrother and Miriam Thaggert (Cambridge: Cambridge University Press, 2021), 361-377.

Institution fields

Peer reviewed
yes
First author
Vogel
Co-authors
none
Subfield
other
Method
none
Invited
none
Publisher
Cambridge University Press
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Alain Locke and the Value of the Harlem RenaissanceAlain Locke and the Value of the Harlem Renaissance
year cv 20212021
venue crossref A History of the Harlem RenaissanceCambridge University Press eBooks
kind cv chapterchapter
DOI crossref 10.1017/9781108656313.02210.1017/9781108656313.022
first author openalex VogelVogel

Citations

OpenAlex
2
Scholar
none
DOI
10.1017/9781108656313.022
OpenAlex
W3125654846

Match decisions

  • doi merged · 1.00 · Run 18
2020 Introduction: Tidying Up after Repetition Race and Performance after Repetition chapter CV OA GS needs review

CV span

lines 98–100 · CV · published

98“Introduction: Tidying Up after Repetition” (co-authored with Soyica Diggs Colbert and Douglas A. Jones,99Jr.), in Race and Performance after Repetition, ed. by Soyica Diggs Colbert, Douglas A. Jones, Jr., and Shane Vogel100(Duke University Press, 2020), 1-28.

Institution fields

Peer reviewed
yes
First author
Colbert
Co-authors
Soyica Diggs Colbert; Douglas A. Jones, Jr.; Shane Vogel
Subfield
other
Method
none
Invited
none
Publisher
Duke University Press
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Introduction: Tidying Up after RepetitionINTRODUCTION:
year cv 20202020
venue crossref Race and Performance after Repetition
kind cv chapterchapter
DOI crossref 10.2307/j.ctv153k5r4.410.2307/j.ctv153k5r4.4
first author openalex ColbertColbert

Citations

OpenAlex
1
Scholar
none
DOI
10.2307/j.ctv153k5r4.4
OpenAlex
W3073401695

Match decisions

  • passthrough_model_omitted not merged · Run 18 the judge returned no cluster for this group
  • doi merged · 1.00 · Run 18
2020 Race and Performance after Repetition Duke University Press edited volume CV OA GS

CV span

lines 44–46 · CV · published

44Race and Performance after Repetition, ed. by Soyica Diggs Colbert, Douglas A. Jones Jr., and Shane Vogel45(Duke University Press, 2020).462021 Errol Hill Award, American Society for Theatre Research

Institution fields

Peer reviewed
yes
First author
Colbert
Co-authors
Soyica Diggs Colbert; Douglas A. Jones Jr.; Shane Vogel
Subfield
other
Method
none
Invited
none
Publisher
Duke University Press
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Race and Performance after Repetition
year cv 2020
venue cv Duke University Press
kind cv edited_volume
first author cv Colbert

Citations

OpenAlex
none
Scholar
none

Match decisions

No decision recorded; a single record.

2019 Minoritarian Aesthetics New York University Press other CV OA GS

CV span

lines 160–161 · CV · published

160Minoritarian Aesthetics, co-editor with Uri McMillan and Sandra Ruiz. New York University Press. 2019-161present; 6 titles.

Institution fields

Peer reviewed
none
First author
none
Co-authors
Uri McMillan; Sandra Ruiz
Subfield
other
Method
none
Invited
none
Publisher
New York University Press
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Minoritarian Aesthetics
year cv 2019
venue cv New York University Press
kind cv other
first author cv Vogel

Citations

OpenAlex
none
Scholar
none

Match decisions

No decision recorded; a single record.

2019 Review of The Rebel Cafe: Sex, Race, and Politics in Cold War America’s Nightclub Underground by Stephen R. Duncan American Literary History Online Review review CV OA GS

CV span

lines 113–114 · CV · published

113Review of The Rebel Cafe: Sex, Race, and Politics in Cold War America’s Nightclub Underground by Stephen R.114Duncan. American Literary History Online Review. Series 20. 2019 (1,585 words).

Institution fields

Peer reviewed
no
First author
none
Co-authors
none
Subfield
other
Method
review
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Review of The Rebel Cafe: Sex, Race, and Politics in Cold War America’s Nightclub Underground by Stephen R. Duncan
year cv 2019
venue cv American Literary History Online Review
kind cv review
first author cv Vogel

Citations

OpenAlex
none
Scholar
none

Match decisions

No decision recorded; a single record.

2018 Stolen Time: Black Fad Performance and the Calypso Craze University of Chicago Press book CV OA GS

CV span

lines 34–37 · CV · published

34Stolen Time: Black Fad Performance and the Calypso Craze (Chicago: University of Chicago Press, 2018).352019 John W. Frick Award, American Theater and Drama Society362019 Honorable Mention, Errol Hill Award, American Society for Theatre Research372020 Honorable Mention, Joe A. Callaway Prize, New York University

Institution fields

Peer reviewed
yes
First author
none
Co-authors
none
Subfield
other
Method
none
Invited
none
Publisher
University of Chicago Press
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Stolen Time: Black Fad Performance and the Calypso CrazeStolen Time: Black Fad Performance and the Calypso Craze
year cv 20182018
venue cv University of Chicago Press
kind cv bookarticle
first author openalex VogelVogel

Citations

OpenAlex
1
Scholar
none
OpenAlex
W2789697951

Match decisions

  • fingerprint merged · 1.00 · Run 18
2015 Performative Affectivity and the Letitia Ernestine Brown Divorce Case Signs: Journal of Women in Culture and Society article journal CV OA GS

CV span

lines 60–61 · CV · published

60“Performative Affectivity and the Letitia Ernestine Brown Divorce Case,” Signs: Journal of Women in Culture and61Society vol. 40, no. 2 (2015): 417-440.

Institution fields

Peer reviewed
yes
First author
Vogel
Co-authors
none
Subfield
other
Method
interpretive
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Performative Affectivity and the Letitia Ernestine Brown Divorce CasePerformative Affectivity and theLetitia Ernestine BrownDivorce Case
year cv 20152015
venue crossref Signs: Journal of Women in Culture and SocietySigns
kind cv articlearticle
DOI crossref 10.1086/67814810.1086/678148
first author openalex VogelVogel

Citations

OpenAlex
1
Scholar
none
DOI
10.1086/678148
OpenAlex
W2172753511

Match decisions

  • doi merged · 1.00 · Run 18
2015 Projection without Representation: Screening Maya Angelou in Calypso Heat Wave The Cine-Files: A Scholarly Journal of Cinema Studies article CV OA GS

CV span

lines 56–58 · CV · published

56“Projection without Representation: Screening Maya Angelou in Calypso Heat Wave,” The Cine-Files: A Scholarly57Journal of Cinema Studies 8 (2015). http://www.thecine-files.com/projection-without-representation-screening-58maya-angelou-in-calypso-heat-wave/

Institution fields

Peer reviewed
yes
First author
Vogel
Co-authors
none
Subfield
other
Method
interpretive
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Projection without Representation: Screening Maya Angelou in Calypso Heat Wave
year cv 2015
venue cv The Cine-Files: A Scholarly Journal of Cinema Studies
kind cv article
first author cv Vogel

Citations

OpenAlex
none
Scholar
none

Match decisions

No decision recorded; a single record.

2015 Review of Staging the Blues: From Tent Shows to Tourism by Paige McGinley Theatre Research International review journal CV OA GS

CV span

lines 116–117 · CV · published

116Review of Staging the Blues: From Tent Shows to Tourism by Paige McGinley. Theater Research International vol. 40,117no. 3 (2015): 349-350.

Institution fields

Peer reviewed
no
First author
none
Co-authors
none
Subfield
other
Method
review
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholarCrossRef
title cv Review of Staging the Blues: From Tent Shows to Tourism by Paige McGinleyStaging the Blues: From Tent Shows to Tourism
year cv 20152015
venue crossref Theater Research InternationalTheatre Research InternationalTheatre Research International
kind cv reviewarticle
DOI crossref 10.1017/s030788331500054110.1017/s0307883315000541
first author openalex VogelVogel

Citations

OpenAlex
0
Scholar
none
DOI
10.1017/s0307883315000541
OpenAlex
W2202363144

Match decisions

  • doi merged · 1.00 · Run 18
2015 The Sensuous Harlem Renaissance: Sexuality and Queer Culture A Companion to the Harlem Renaissance chapter CV OA GS

CV span

lines 102–103 · CV · published

102“The Sensuous Harlem Renaissance: Sexuality and Queer Culture,” in A Companion to the Harlem Renaissance,103ed. by Cherene Sherrard-Johnson (Chichester, UK: Wiley Blackwell, 2015), 267-283.

Institution fields

Peer reviewed
yes
First author
Vogel
Co-authors
none
Subfield
other
Method
none
Invited
none
Publisher
Wiley Blackwell
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv The Sensuous Harlem Renaissance: Sexuality and Queer CultureThe Sensuous Harlem Renaissance
year cv 20152015
venue crossref A Companion to the Harlem Renaissance
kind cv chapterother
DOI crossref 10.1002/9781118494110.ch1610.1002/9781118494110.ch16
first author openalex VogelVogel

Citations

OpenAlex
4
Scholar
none
DOI
10.1002/9781118494110.ch16
OpenAlex
W1490864435

Match decisions

  • doi merged · 1.00 · Run 18
2014 Touching Ecstasy: Muñozian Theory and the Extension of the Soul Social Text article journal CV OA GS

CV span

lines 63–63 · CV · published

63“Touching Ecstasy: Muñozian Theory and the Extension of the Soul,” Social Text vol. 32, no. 4 (2014): 47-57.

Institution fields

Peer reviewed
yes
First author
Vogel
Co-authors
none
Subfield
other
Method
interpretive
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Touching Ecstasy: Muñozian Theory and the Extension of the SoulTouching Ecstasy
year cv 20142014
venue openalex Social TextSocial Text
kind cv articlearticle
DOI openalex 10.1215/01642472-2820400
first author openalex VogelVogel

Citations

OpenAlex
2
Scholar
none
DOI
10.1215/01642472-2820400
OpenAlex
W2329805834

Match decisions

  • gemini merged · 0.99 · Run 18 The titles, authors, journal, and year match.
2012 Madam Zajj and US Steel: Blackness, Bioperformance, and Duke Ellington’s Calypso Theatre Social Text article journal CV OA GS

CV span

lines 65–66 · CV · published

65“Madam Zajj and US Steel: Blackness, Bioperformance, and Duke Ellington’s Calypso Theatre,” Social Text66vol. 30, no. 4 (2012): 1-24.

Institution fields

Peer reviewed
yes
First author
Vogel
Co-authors
none
Subfield
other
Method
interpretive
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Madam Zajj and US Steel: Blackness, Bioperformance, and Duke Ellington’s Calypso TheatreMadam Zajj and US Steel
year cv 20122012
venue openalex Social TextSocial Text
kind cv articlearticle
DOI openalex 10.1215/01642472-1725775
first author openalex VogelVogel

Citations

OpenAlex
22
Scholar
none
DOI
10.1215/01642472-1725775
OpenAlex
W2092661620

Match decisions

  • gemini merged · 0.99 · Run 18 The titles, authors, journal, and year match.
2012 Review of Weyward Macbeth: Intersections of Race and Performance edited by Scott L. Newstok and Ayanna Thompson African American Review review journal CV OA GS

CV span

lines 119–120 · CV · published

119Review of Weyward Macbeth: Intersections of Race and Performance edited by Scott L. Newstok and Ayanna120Thompson. African American Review vol. 44, no. 1-2 (2012): 315-317.

Institution fields

Peer reviewed
no
First author
none
Co-authors
none
Subfield
other
Method
review
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Review of Weyward Macbeth: Intersections of Race and Performance edited by Scott L. Newstok and Ayanna ThompsonWeyward Macbeth: Intersections of Race and Performance (review)
year cv 20122011
venue crossref African American ReviewAfrican American Review
kind cv reviewarticle
DOI crossref 10.1353/afa.2011.001010.1353/afa.2011.0010
first author openalex VogelVogel

Citations

OpenAlex
5
Scholar
none
DOI
10.1353/afa.2011.0010
OpenAlex
W1505750135

Match decisions

  • doi merged · 1.00 · Run 18
2011 Review essay, “The New Queer Essentialism,” American Literature review journal CV OA GS

CV span

lines 122–122 · CV · published

122Review essay, “The New Queer Essentialism,” American Literature vol. 83, no. 1 (2011): 175-184.

Institution fields

Peer reviewed
no
First author
none
Co-authors
none
Subfield
other
Method
review
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Review essay, “The New Queer Essentialism,”The New Queer Essentialism
year cv 20112011
venue openalex American LiteratureAmerican Literature
kind cv reviewarticle
DOI openalex 10.1215/00029831-2010-067
first author openalex VogelVogel

Citations

OpenAlex
0
Scholar
none
DOI
10.1215/00029831-2010-067
OpenAlex
W2067302358

Match decisions

  • gemini merged · 0.95 · Run 18 The review essay title and metadata match between sources.
2011 Review of Highbrow/Lowdown: Theatre, Jazz, and the Making of the New Middle Class by David Savran TDR/The Drama Review review journal CV OA GS

CV span

lines 124–125 · CV · published

124Review of Highbrow/Lowdown: Theatre, Jazz, and the Making of the New Middle Class by David Savran. TDR vol.12555, no. 4 (2011): 163-167.

Institution fields

Peer reviewed
no
First author
none
Co-authors
none
Subfield
other
Method
review
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholarCrossRef
title cv Review of Highbrow/Lowdown: Theatre, Jazz, and the Making of the New Middle Class by David SavranHighbrow/Lowdown: Theatre, Jazz, and the Making of the New Middle Class. By David Savran. Ann Arbor: University of Michigan Press, 2009; 326 pp.; illustrations. $24.95 paper
year cv 20112011
venue crossref TDRTDR/The Drama ReviewTDR/The Drama Review
kind cv reviewother
DOI crossref 10.1162/dram_r_0013110.1162/dram_r_00131
first author openalex VogelVogel

Citations

OpenAlex
0
Scholar
none
DOI
10.1162/dram_r_00131
OpenAlex
W1493653663

Match decisions

  • doi merged · 1.00 · Run 18
2010 Jamaica on Broadway: The Popular Caribbean and Mock Transnational Performance Theatre Journal article journal CV OA GS

CV span

lines 68–69 · CV · published

68“Jamaica on Broadway: The Popular Caribbean and Mock Transnational Performance,” Theatre Journal vol. 62,69no. 1 (2010): 1-22.

Institution fields

Peer reviewed
yes
First author
Vogel
Co-authors
none
Subfield
other
Method
interpretive
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Jamaica on Broadway: The Popular Caribbean and Mock Transnational PerformanceJamaica on Broadway: The Popular Caribbean and Mock Transnational Performance
year cv 20102010
venue crossref Theatre JournalTheatre Journal
kind cv articlearticle
DOI crossref 10.1353/tj.0.031810.1353/tj.0.0318
first author openalex VogelVogel

Citations

OpenAlex
5
Scholar
none
DOI
10.1353/tj.0.0318
OpenAlex
W2088243864

Match decisions

  • doi merged · 1.00 · Run 18
2010 Review of James Baldwin’s Turkish Decade: Erotics of Exile by Magdalena J. Zaborowska and The Scary Mason-Dixon Line: African American Writers and the South by Trudier Harris American Literature review journal CV OA GS

CV span

lines 127–129 · CV · published

127Review of James Baldwin’s Turkish Decade: Erotics of Exile by Magdalena J. Zaborowska and The Scary Mason-128Dixon Line: African American Writers and the South by Trudier Harris. American Literature vol. 82, no. 1 (2010):129225-227.

Institution fields

Peer reviewed
no
First author
none
Co-authors
none
Subfield
other
Method
review
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Review of James Baldwin’s Turkish Decade: Erotics of Exile by Magdalena J. Zaborowska and The Scary Mason-Dixon Line: African American Writers and the South by Trudier HarrisThe Scary Mason-Dixon Line: African American Writers and the South; James Baldwin's Turkish Decade: Erotics of Exile
year cv 20102010
venue crossref American LiteratureAmerican Literature
kind cv reviewarticle
DOI crossref 10.1215/00029831-2009-09210.1215/00029831-2009-092
first author openalex VogelVogel

Citations

OpenAlex
0
Scholar
none
DOI
10.1215/00029831-2009-092
OpenAlex
W1980736476

Match decisions

  • doi merged · 1.00 · Run 18
2009 By the Light of What Comes After: Eventologies of the Ordinary Women & Performance: a journal of feminist theory article journal CV OA GS

CV span

lines 71–72 · CV · published

71“By the Light of What Comes After: Eventologies of the Ordinary,” Women & Performance: A Journal of72Feminist Theory vol. 19, no. 2 (2009): 247-260.

Institution fields

Peer reviewed
yes
First author
Vogel
Co-authors
none
Subfield
other
Method
interpretive
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholarCrossRef
title cv By the Light of What Comes After: Eventologies of the OrdinaryBy the light of what comes after: Eventologies of the ordinary
year cv 20092009
venue crossref Women & Performance: A Journal of Feminist TheoryWomen & Performance a journal of feminist theoryWomen & Performance: a journal of feminist theory
kind cv articlearticle
DOI crossref 10.1080/0740770090303420410.1080/07407700903034204
first author openalex VogelVogel

Citations

OpenAlex
38
Scholar
none
DOI
10.1080/07407700903034204
OpenAlex
W2084948489

Match decisions

  • doi merged · 1.00 · Run 18
2009 The Scene of Harlem Cabaret: Race, Sexuality, Performance University of Chicago Press book CV OA GS

CV span

lines 39–40 · CV · published

39The Scene of Harlem Cabaret: Race, Sexuality, Performance (Chicago: University of Chicago Press, 2009).402010 Honorable Mention, Errol Hill Award, American Society for Theatre Research

Institution fields

Peer reviewed
yes
First author
none
Co-authors
none
Subfield
other
Method
none
Invited
none
Publisher
University of Chicago Press
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv The Scene of Harlem Cabaret: Race, Sexuality, Performance
year cv 2009
venue cv University of Chicago Press
kind cv book
first author cv Vogel

Citations

OpenAlex
none
Scholar
none

Match decisions

No decision recorded; a single record.

2008 Lena Horne’s Impersona Camera Obscura: Feminism, Culture, and Media Studies article journal CV OA GS

CV span

lines 74–76 · CV · published

74“Lena Horne’s Impersona,” Camera Obscura vol. 23, no. 1 (2008): 10-45.752009 Outstanding Essay Award, Association for Theatre in Higher Education762009 Honorable Mention, Gerald Kahan Scholar’s Prize, American Society for Theatre Research

Institution fields

Peer reviewed
yes
First author
Vogel
Co-authors
none
Subfield
other
Method
interpretive
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholarCrossRef
title cv Lena Horne’s ImpersonaLena Horne's Impersona
year cv 20082008
venue crossref Camera ObscuraCamera Obscura Feminism Culture and Media StudiesCamera Obscura: Feminism, Culture, and Media Studies
kind cv articlearticle
DOI crossref 10.1215/02705346-2007-02210.1215/02705346-2007-022
first author openalex VogelVogel

Citations

OpenAlex
6
Scholar
none
DOI
10.1215/02705346-2007-022
OpenAlex
W1994513270

Match decisions

  • doi merged · 1.00 · Run 18
2008 Performing ‘Stormy Weather’: Ethel Waters, Lena Horne, and Katherine Dunham South Central Review article journal CV OA GS

CV span

lines 78–79 · CV · published

78“Performing ‘Stormy Weather’: Ethel Waters, Lena Horne, and Katherine Dunham,” South Central Review vol.7925, no. 1 (2008): 93-113.

Institution fields

Peer reviewed
yes
First author
Vogel
Co-authors
none
Subfield
other
Method
interpretive
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Performing ‘Stormy Weather’: Ethel Waters, Lena Horne, and Katherine DunhamPerforming "Stormy Weather": Ethel Waters, Lena Horne, and Katherine Dunham
year cv 20082008
venue crossref South Central ReviewSouth Central Review
kind cv articlearticle
DOI crossref 10.1353/scr.2008.001310.1353/scr.2008.0013
first author openalex VogelVogel

Citations

OpenAlex
49
Scholar
none
DOI
10.1353/scr.2008.0013
OpenAlex
W2059992928

Match decisions

  • doi merged · 1.00 · Run 18
2007 The Harlem Renaissance Encyclopedia of Sex and Gender chapter CV OA GS

CV span

lines 152–153 · CV · published

152“The Harlem Renaissance,” Encyclopedia of Sex and Gender, 4 vols. Fedwa Malti-Douglas, ed. (Detroit:153Macmillan Reference USA, 2007), 675-677.

Institution fields

Peer reviewed
none
First author
none
Co-authors
none
Subfield
other
Method
none
Invited
none
Publisher
Macmillan Reference USA
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv The Harlem Renaissance
year cv 2007
venue cv Encyclopedia of Sex and Gender
kind cv chapter
first author cv Renaissance

Citations

OpenAlex
none
Scholar
none

Match decisions

No decision recorded; a single record.

2006 Closing Time: Langston Hughes and the Queer Poetics of Harlem Nightlife Criticism article journal CV OA GS needs review

CV span

lines 81–82 · CV · published

81“Closing Time: Langston Hughes and the Queer Poetics of Harlem Nightlife,” Criticism vol. 48, no. 3 (2006):82397-425.

Institution fields

Peer reviewed
yes
First author
Vogel
Co-authors
none
Subfield
other
Method
interpretive
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Closing Time: Langston Hughes and the Queer Poetics of Harlem Nightlife
year cv 2006
venue cv Criticism
kind cv article
first author cv Vogel

Citations

OpenAlex
none
Scholar
none

Match decisions

  • passthrough_guard not merged · 0.85 · low_confidence · Run 18 The titles are slightly different but describe the same Langston Hughes article despite a two-year publication date discrepancy.
2004 Nightclubs Encyclopedia of the Harlem Renaissance chapter CV OA GS

CV span

lines 155–156 · CV · published

155“Nightclubs,” Encyclopedia of the Harlem Renaissance, 2 vols., Cary Wintz and Paul Finkelman, eds. (New York:156Routledge, 2004), 907-912.

Institution fields

Peer reviewed
none
First author
none
Co-authors
none
Subfield
other
Method
none
Invited
none
Publisher
Routledge
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Nightclubs
year cv 2004
venue cv Encyclopedia of the Harlem Renaissance
kind cv chapter
first author cv “Nightclubs

Citations

OpenAlex
none
Scholar
none

Match decisions

No decision recorded; a single record.

2004 Review of Nothin’ Beats Pussy by John Fleck. La Mama E. T. C. (The Club), New York City Theatre Journal review journal CV OA GS

CV span

lines 131–132 · CV · published

131Review of Nothin’ Beats Pussy by John Fleck. La Mama E. T. C. (The Club), New York City. Theatre Journal vol.13256, no. 2 (2004): 281-283.

Institution fields

Peer reviewed
no
First author
none
Co-authors
none
Subfield
other
Method
review
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Review of Nothin’ Beats Pussy by John Fleck. La Mama E. T. C. (The Club), New York CityNothin' Beats Pussy (review)
year cv 20042004
venue openalex Theatre JournalTheatre Journal
kind cv reviewarticle
DOI openalex 10.1353/tj.2004.0076
first author openalex VogelVogel

Citations

OpenAlex
0
Scholar
none
DOI
10.1353/tj.2004.0076
OpenAlex
W2071468063

Match decisions

  • gemini merged · 0.99 · Run 18 The titles, authors, journal, and year match closely for a review article.
2004 Review of The New York Concert Saloon: The Devil’s Own Nights by Brooks McNamara TDR review CV OA GS

CV span

lines 134–135 · CV · published

134Review of The New York Concert Saloon: The Devil’s Own Nights by Brooks McNamara. TDR vol. 48, no. 1135(2004): 185-188.

Institution fields

Peer reviewed
no
First author
none
Co-authors
none
Subfield
other
Method
review
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Review of The New York Concert Saloon: The Devil’s Own Nights by Brooks McNamara
year cv 2004
venue cv TDR
kind cv review
first author cv Vogel

Citations

OpenAlex
none
Scholar
none

Match decisions

No decision recorded; a single record.

2002 Review of Fifth Annual Sex Workers’ Art Show. Capitol Theatre, Olympia, Washington Theatre Journal review journal CV OA GS

CV span

lines 137–138 · CV · published

137Review of Fifth Annual Sex Workers’ Art Show. Capitol Theatre, Olympia, Washington. Theatre Journal vol. 54,138no. 3 (2002): 496-498.

Institution fields

Peer reviewed
no
First author
none
Co-authors
none
Subfield
other
Method
review
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Review of Fifth Annual Sex Workers’ Art Show. Capitol Theatre, Olympia, WashingtonFifth Annual Sex Workers' Art Show (review)
year cv 20022002
venue crossref Theatre JournalTheatre Journal
kind cv reviewarticle
DOI crossref 10.1353/tj.2002.010710.1353/tj.2002.0107
first author openalex VogelVogel

Citations

OpenAlex
1
Scholar
none
DOI
10.1353/tj.2002.0107
OpenAlex
W2083840999

Match decisions

  • doi merged · 1.00 · Run 18
2001 Review of The Wild Party by Michael John LaChiusa and George C. Wolfe, The Joseph Papp Public Theatre/New York Shakespeare Festival; and The Wild Party by Andrew Lippa, Manhattan Theatre Club Theatre Journal review journal CV OA GS

CV span

lines 140–142 · CV · published

140Review of The Wild Party by Michael John LaChiusa and George C. Wolfe, The Joseph Papp Public141Theatre/New York Shakespeare Festival; and The Wild Party by Andrew Lippa, Manhattan Theatre Club.142Theatre Journal vol. 53, no. 1 (2001): 145–148.

Institution fields

Peer reviewed
no
First author
none
Co-authors
none
Subfield
other
Method
review
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Review of The Wild Party by Michael John LaChiusa and George C. Wolfe, The Joseph Papp Public Theatre/New York Shakespeare Festival; and The Wild Party by Andrew Lippa, Manhattan Theatre ClubThe Wild Party, and: The Wild Party (review)
year cv 20012001
venue openalex Theatre JournalTheatre Journal
kind cv reviewarticle
DOI openalex 10.1353/tj.2001.0028
first author openalex VogelVogel

Citations

OpenAlex
0
Scholar
none
DOI
10.1353/tj.2001.0028
OpenAlex
W2018248293

Match decisions

  • gemini merged · 0.95 · Run 18 The detailed theatre review title and metadata match.
2000 Where Are We Now?: Queer World Making and Cabaret Performance GLQ A Journal of Lesbian and Gay Studies article journal CV OA GS

CV span

lines 84–85 · CV · published

84“Where Are We Now?: Queer World Making and Cabaret Performance,” GLQ: A Journal of Lesbian and Gay85Studies vol. 6, no. 1 (2000): 29-60.

Institution fields

Peer reviewed
yes
First author
Vogel
Co-authors
none
Subfield
other
Method
interpretive
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Where Are We Now?: Queer World Making and Cabaret PerformanceWHERE ARE WE NOW?
year cv 20002000
venue openalex GLQ: A Journal of Lesbian and Gay StudiesGLQ A Journal of Lesbian and Gay Studies
kind cv articlearticle
DOI openalex 10.1215/10642684-6-1-29
first author openalex VogelVogel

Citations

OpenAlex
27
Scholar
none
DOI
10.1215/10642684-6-1-29
OpenAlex
W2077975854

Match decisions

  • gemini merged · 0.99 · Run 18 The titles, authors, journal, and year match exactly.
Carl Van Vechten Routledge Encyclopedia of Modernism (online) chapter CV OA GS needs review

CV span

lines 146–147 · CV · unverified · published

146“Carl Van Vechten,” Routledge Encyclopedia of Modernism (online). Stephen Ross, General Editor.147https://www.rem.routledge.com/articles/van-vechten-carl-1880-1964.

Institution fields

Peer reviewed
none
First author
none
Co-authors
none
Subfield
other
Method
none
Invited
none
Publisher
Routledge
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Carl Van Vechten
venue cv Routledge Encyclopedia of Modernism (online)
kind cv chapter
first author cv Van Vechten

Citations

OpenAlex
none
Scholar
none

Match decisions

No decision recorded; a single record.

Not counted

1 item · dissertations, talks, media, datasets · listed, not counted as publications

2010 Remembering Lena Horne Social Text online media not counted CV OA GS

CV span

lines 149–150 · CV · published

149“Remembering Lena Horne,” Social Text online, http://www.socialtextjournal.org/blog/2010/06/150remembering-lena-horne.php. June 4, 2010.

Institution fields

Peer reviewed
no
First author
none
Co-authors
none
Subfield
other
Method
none
Invited
none
Publisher
none
Reprint or translation
none

Fields by source

FieldCVOpenAlexScholar
title cv Remembering Lena Horne
year cv 2010
venue cv Social Text online
kind cv media
first author cv Horne

Citations

OpenAlex
none
Scholar
none

Match decisions

No decision recorded; a single record.

Positions

10 from the CV · current position answer

TitleOrganizationYearsRankSourceLines
Professor of Black Studies and English current Yale University 2021– Full CV 10, 11
Chair of Theater, Dance, and Performance Studies chair Yale University 2023–2026 Unknown CV 10, 11, 12
Ruth N. Halls Professor of English Indiana University 2019–2021 Distinguished named CV 14, 15
Interim Susan D. Gubar Chair Indiana University 2020–2021 Distinguished acting named CV 14, 15
Associate Chair of English associate chair Indiana University 2019–2020 Unknown CV 14, 15, 16
Ruth N. Halls Associate Professor of English Indiana University 2017–2019 Associate named CV 14, 16
Director of Cultural Studies Program director Indiana University 2012–2015 Unknown CV 14, 16, 17
Director of Cultural Studies Program director Indiana University 2016–2019 Unknown CV 14, 16, 17
Associate Professor of English Indiana University 2010–2017 Associate CV 14, 17
Assistant Professor of English Indiana University 2004–2010 Assistant CV 14, 17, 18
Professor of Black Studies and English Full CV current position 10, 11

Entries needing review

1

Entries dropped by a reviewer

0

No dropped entries.