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2017 Critique and Postcritique Elizabeth S. Anker · Duke UP 2017 Globalizing Law and Literature Elizabeth S. Anker · Oxford Scholarship Online 3 2017 Introduction Elizabeth S. Anker · Critique and Postcritique · needs review 0 2017 Introduction Elizabeth S. Anker · New Directions in Law and Literature · needs review 80 2017 New Directions in Law and Literature Elizabeth S. Anker · Oxford UP 2017 Postcritique and Social Justice Elizabeth S. Anker · American Book Review 3 2017 Why We Love Coetzee; or The Childhood of Jesus and the Funhouse of Critique Elizabeth S. Anker · Critique and Postcritique 0 2015 ‘Commonly Human’: Embodied Self-Possession and Human Rights in Jamaica Kincaid’s The Autobiography of My Mother Elizabeth S. Anker · The Routledge Companion to Literature and Human Rights 2015 Rebuilding the Nation: On Architecture and the Aesthetics of Constitutionalism in South African Literature Elizabeth S. Anker · Cambridge Journal of Postcolonial Literary Inquiry 1 2015 Teaching the Legal Imperialism Debate Elizabeth S. Anker · Teaching Literature and Human Rights, MLA Options for Teaching Series 2014 Bodily Vulnerability, the Human Rights of Immigrants, and Alejandro González Iñárritu’s Biutiful Elizabeth S. Anker · Frame, Journal of Literary Studies 2014 Embodying the People in Edwidge Danticat’s Krik? Krak! Elizabeth S. Anker · Novel 2 2014 Human Rights in Literature Elizabeth S. Anker · The Sage Handbook of Human Rights 0 2014 ‘The Scent of Ink’: Toni Morrison’s Beloved and the Semiotics of Rights Elizabeth S. Anker · Critical Quarterly 2 2013 In the Shadowlands of Sovereignty: The Politics of Enclosure in Alejandro González Iñárritu’s Babel Elizabeth S. Anker · University of Toronto Quarterly 5 2013 ‘The Spectacle of Our Suffering’: Staging the International Human Rights Imaginary in Tony Kushner’s Homebody/Kabul Elizabeth S. Anker · Imagining Human Rights in Twenty-First-Century Theater 1 2012 Fictions of Dignity: Embodying Human Rights in World Literature Elizabeth S. Anker · Cornell University Press · needs review 6 2011 Allegories of Falling and the 9/11 Novel Elizabeth S. Anker · American Literary History 69 2011 Elizabeth Costello, Embodiment, and the Limits of Rights Elizabeth S. Anker · New Literary History 7 2011 Narrating Human Rights and the Limits of Magical Realism in Salman Rushdie’s Shalimar the Clown Elizabeth S. Anker · Theoretical Perspectives on Human Rights and Literature · needs review 2011 Review of Malini Johar Schueller, Locating Race: Global Sites of Postcolonial Citizenship Elizabeth S. Anker · Interventions: International Journal of Postcolonial Studies 2011 Review of Vilashini Cooppan, Worlds Within: National Narratives and Global Connections in Postcolonial Writing Elizabeth S. Anker · Comparative Literature Studies 0 2010 Review of Ravit Reichman, The Affective Life of Law: Legal Modernism and the Literary Imagination Elizabeth S. Anker · Twentieth-Century Literature 2008 Human Rights, Social Justice, and J.M. Coetzee’s Disgrace Elizabeth S. Anker · MFS Modern Fiction Studies 23 2008 The Contaminations of Global Culture.” Review of Pheng Cheah, Inhuman Conditions: On Cosmopolitanism and Human Rights Elizabeth S. Anker · Theory and Event · needs review 2007 ‘Where Was Moses When the Candle Went Out?’: Infinity, Prophecy, and Ethics in Spinoza’s Philosophy and the ‘Ithaca’ Episode of Ulysses Elizabeth S. Anker · James Joyce Quarterly 3
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2017 · edited volume

Critique and Postcritique

Duke UP · Elizabeth S. Anker

in CV
noneScholar citations
noneOpenAlex citations

From the CV

lines 55–57 · published

Critique and Postcritique. Co-edited with Rita Felski. (March 2017, Duke UP). Contributors: ChrisCastiglia, Russ Castronovo, Simon During, Jennifer Fleissner, Eric Hayot, Heather Love, JohnMichael, Toril Moi, Ellen Rooney, and Namwali Serpell.

Peer reviewed
yes
First author
Anker
Co-authors
Rita Felski
Subfield
other
Method
none
Invited
none
Publisher
Duke UP
Reprint or translation
none

Where each field came from

FieldCVOpenAlexScholar
title Critique and Postcritique (used)
year 2017 (used)
venue Duke UP (used)
kind edited_volume (used)
first author Anker (used)

The value in bold is the one the record uses.

How the records were joined

No decision recorded; a single record.