Academics Publications Departments Journals Reliability
Publications
26 rows, counting the CV or the Scholar profile
2017
Critique and Postcritique
Elizabeth S. Anker · Duke UP
—
2017
Globalizing Law and Literature
Elizabeth S. Anker · Oxford Scholarship Online
3
2017
Introduction
Elizabeth S. Anker · Critique and Postcritique · needs review
0
2017
Introduction
Elizabeth S. Anker · New Directions in Law and Literature · needs review
80
2017
New Directions in Law and Literature
Elizabeth S. Anker · Oxford UP
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2017
Postcritique and Social Justice
Elizabeth S. Anker · American Book Review
3
2017
Why We Love Coetzee; or The Childhood of Jesus and the Funhouse of Critique
Elizabeth S. Anker · Critique and Postcritique
0
2015
‘Commonly Human’: Embodied Self-Possession and Human Rights in Jamaica Kincaid’s The Autobiography of My Mother
Elizabeth S. Anker · The Routledge Companion to Literature and Human Rights
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2015
Rebuilding the Nation: On Architecture and the Aesthetics of Constitutionalism in South African Literature
Elizabeth S. Anker · Cambridge Journal of Postcolonial Literary Inquiry
1
2015
Teaching the Legal Imperialism Debate
Elizabeth S. Anker · Teaching Literature and Human Rights, MLA Options for Teaching Series
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2014
Bodily Vulnerability, the Human Rights of Immigrants, and Alejandro González Iñárritu’s Biutiful
Elizabeth S. Anker · Frame, Journal of Literary Studies
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2014
Embodying the People in Edwidge Danticat’s Krik? Krak!
Elizabeth S. Anker · Novel
2
2014
Human Rights in Literature
Elizabeth S. Anker · The Sage Handbook of Human Rights
0
2014
‘The Scent of Ink’: Toni Morrison’s Beloved and the Semiotics of Rights
Elizabeth S. Anker · Critical Quarterly
2
2013
In the Shadowlands of Sovereignty: The Politics of Enclosure in Alejandro González Iñárritu’s Babel
Elizabeth S. Anker · University of Toronto Quarterly
5
2013
‘The Spectacle of Our Suffering’: Staging the International Human Rights Imaginary in Tony Kushner’s Homebody/Kabul
Elizabeth S. Anker · Imagining Human Rights in Twenty-First-Century Theater
1
2012
Fictions of Dignity: Embodying Human Rights in World Literature
Elizabeth S. Anker · Cornell University Press · needs review
6
2011
Allegories of Falling and the 9/11 Novel
Elizabeth S. Anker · American Literary History
69
2011
Elizabeth Costello, Embodiment, and the Limits of Rights
Elizabeth S. Anker · New Literary History
7
2011
Narrating Human Rights and the Limits of Magical Realism in Salman Rushdie’s Shalimar the Clown
Elizabeth S. Anker · Theoretical Perspectives on Human Rights and Literature · needs review
—
2011
Review of Malini Johar Schueller, Locating Race: Global Sites of Postcolonial Citizenship
Elizabeth S. Anker · Interventions: International Journal of Postcolonial Studies
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2011
Review of Vilashini Cooppan, Worlds Within: National Narratives and Global Connections in Postcolonial Writing
Elizabeth S. Anker · Comparative Literature Studies
0
2010
Review of Ravit Reichman, The Affective Life of Law: Legal Modernism and the Literary Imagination
Elizabeth S. Anker · Twentieth-Century Literature
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2008
Human Rights, Social Justice, and J.M. Coetzee’s Disgrace
Elizabeth S. Anker · MFS Modern Fiction Studies
23
2008
The Contaminations of Global Culture.” Review of Pheng Cheah, Inhuman Conditions: On Cosmopolitanism and Human Rights
Elizabeth S. Anker · Theory and Event · needs review
—
2007
‘Where Was Moses When the Candle Went Out?’: Infinity, Prophecy, and Ethics in Spinoza’s Philosophy and the ‘Ithaca’ Episode of Ulysses
Elizabeth S. Anker · James Joyce Quarterly
3
none Scholar citations
none OpenAlex citations
From the CV
lines 55–57 · published
Critique and Postcritique. Co-edited with Rita Felski. (March 2017, Duke UP). Contributors: Chris Castiglia, Russ Castronovo, Simon During, Jennifer Fleissner, Eric Hayot, Heather Love, John Michael, Toril Moi, Ellen Rooney, and Namwali Serpell.
Peer reviewed yes First author Anker Co-authors Rita Felski Subfield other Method none Invited none Publisher Duke UP Reprint or translation none
Where each field came from
Field CV OpenAlex Scholar
title
Critique and Postcritique (used)
year
2017 (used)
venue
Duke UP (used)
kind
edited_volume (used)
first author
Anker (used)
The value in bold is the one the record uses.
How the records were joined
No decision recorded; a single record.