| Year | Title | Academics | Venue | Publication type | Citations |
|---|---|---|---|---|---|
| 2017 | Defamiliarizing the Revolution. | Philip Gould | Early American literature | article | 0 |
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| 2017 | Archival Performances: Collaborative Theater and Approaches to Indigenous History. | Denise Cruz | American Literary History | article | 0 |
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| 2017 | Translation and Power in Lawman’s Brut | Hannah Weaver | Arthuriana | article | 0 |
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| 2017 | A Tool for Exemplary Pastoral Care: Three Booklets of the Edwardes Manuscript in Context | Hannah Weaver | Manuscript Studies: A Journal of the Schoenberg Institute for Manuscript Studies | article | 0 |
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| 2017 | Live Fire: On Ron Haviv's The Lost Rolls | Bruce Robbins | boundary 2 | article | 0 |
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| 2017 | The Firesign Theatre's Wax Poetics: Overdub, Dissonance, and Narrative in the Age of Nixon | Jeremy Braddock | Sounding Out! online sound studies journal | article | 0 |
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| 2017 | From Tropicopolitan to Anthropocene | Laura Brown | Eighteenth-Century Studies | article | 0 |
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| 2017 | 4321 | J. Robert Lennon | London review of books | article | 0 |
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| 2017 | The Act of Documenting: Documentary Film in the 21st Century by Brian Winston, Gail Vanstone, and Wang Chi | Rahul Mukherjee | Film Quarterly | article | 0 |
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| 2017 | In Memory of the Doyen of African Literature | Simon Gikandi | Transition | article | 0 |
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| 2017 | Am Anfang war die Operation | John Durham Peters | Zeitschrift für Medien- und Kulturforschung | article | 0 |
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| 2017 | The Privatization of Public Life: Free Direct Discourse in Persuasion | Stuart Burrows | Romantic Circles: The Prose of Romanticism | article | — |
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| 2017 | Putting the Home in Home-Made Porn: Real Estate in Pornography After the Financial Crisis | Connie Scozzaro | Polygraph | article | — |
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| 2017 | The Cloud Notebook | Ada Smailbegovic | Feminist Temporalities, PELT vol. 4 | article | — |
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| 2017 | Feminist Temporalities | Ada Smailbegovic | PELT vol. 4 | edited volume | — |
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| 2017 | The Forest / On Waiting | Ada Smailbegovic | Brooklyn: Doublecross Press | book | — |
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| 2017 | Laminate Text: The Strata of Digital Inscription | Dennis Yi Tenen | Amodern | article | — |
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| 2017 | Choosing Disability, Visualizing Care | Rachel Adams | Kennedy Institute of Ethics Journal | article | — |
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| 2017 | Disability, Life Writing, and the Problem of Dependency in The Autobiography of Gaby Brimmer | Rachel Adams | Journal of Medical Humanities | article | — |
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| 2017 | The Red Emigrant | Bruce Robbins | The Nation | article | — |
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| 2017 | Discipline and Parse: The Politics of Close Reading | Bruce Robbins | Los Angeles Review of Books | article | — |
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| 2017 | Critique and Postcritique | Elizabeth S. Anker | Duke UP | edited volume | — |
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| 2017 | New Directions in Law and Literature | Elizabeth S. Anker | Oxford UP | edited volume | — |
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| 2017 | African Literary Hustle | Mukoma Wa Ngugi | New Orleans Review | edited volume | — |
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| 2017 | Turnabout: A Story Game | J. Robert Lennon | Playtime | article | — |
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| 2017 | The Museum of Near Misses | J. Robert Lennon | Salon.com | article | — |
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| 2017 | Circuit City | J. Robert Lennon | Arkansas International | article | — |
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| 2017 | Cotton Eye Joe | J. Robert Lennon | March Fadness, curated essays on pop music | article | — |
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| 2017 | Broken River | J. Robert Lennon | Graywolf and Serpent’s Tail (UK) | book | — |
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| 2017 | “Abduction,” “As Usual, Only the Crows,” “By the Light of Small Explosions,” “Equation,” “In Darkness,” “Lost and Gone,” “SuperAmerica,” and “Unnamed” | J. Robert Lennon | Epoch | article | — |
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| 2017 | Hell, Yes | J. Robert Lennon | The London Review of Books | article | — |
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| 2017 | I’ll Have to Kill You | J. Robert Lennon | The London Review of Books | article | — |
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| 2017 | The Social Lives of Poems in Nineteenth-Century America | Mary Loeffelholz | Modern Language Quarterly | article | — |
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| 2017 | Narratives of the Later Life of Frederick Douglass | James E. Dobson | Common-place | article | — |
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| 2017 | On Bow and Exit Music | Derek Miller | Journal of American Drama and Theater | article | — |
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| 2017 | Nuclear Citizenship | Elaine Scarry | Harper’s Magazine | article | — |
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| 2017 | So What Difference Does It Make? | James English | Critical Quarterly | article | — |
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| 2017 | Pilot (#1, July 2017) | Whitney Trettien | thresholds | edited volume | — |
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| 2017 | Contienting: An Interview with Jean-Cristophe Cloutier, editor of Jack Kerouac's La vie est d'hommage | Jean-Christophe Cloutier | The Capilano Review | article | — |
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| 2017 | The Marxist Punjabi Movement: Language and Literary Radicalism in Pakistan | Sara Kazmi | South Asia Chronicle | article | — |
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| 2017 | The Future of Callaloo: A Round Table | Dagmawi Woubshet | Callaloo | article | — |
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| 2017 | Performances, Acknowledgments, and Dinner: Closing of the 40th Anniversary Celebration | Dagmawi Woubshet | Callaloo | article | — |
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| 2017 | Water, form, the Rock: The Kindred Poetics of H.D. and Moses | Jonathan Howard | Lute and Drum | article | — |
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| 2017 | ‘Gone with the Ibos’: Water and the Material Imagination of Blackness in Paule Marshall’s Praisesong for the Widow | Jonathan Howard | Callaloo | article | — |
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| 2017 | Algorithm and Analogy: Distant Reading in 1598 | Catherine Nicholson | PMLA/Publications of the Modern Language Association of America | article | — |
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| 2017 | Old Spelling and the Forging of Spenser’s Readers | Catherine Nicholson | Modern Language Quarterly | article | — |
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| 2017 | Lincoln as Realist and Revolutionist | David Bromwich | Raritan | article | — |
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| 2017 | Pussy Wars | Juno Jill Richards | Los Angeles Review of Books | article | — |
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| 2017 | The Impossibility of Children’s Cinema: On Todd Haynes’ Wonderstruck | Juno Jill Richards | Los Angeles Review of Books | article | — |
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| 2017 | Special Issue: Ken Saro-Wiwa as Public Intellectual | Stephanie Newell | Research in African Literatures | edited volume | — |
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