Trackademia

Welcome to Trackademia

The idea behind Trackademia is to build on existing academic databases like Google Scholar and OpenAlex so that you can trust the data and use it for whatever you want. That comes down to two things.

More data, and more ways to use it. We aggregate publication data from every major source into a single dataset and add information pulled from faculty CVs. Then we let you slice it however you want: choose which sources to build from, write your own formulas, weight journals, adjust for department size.

More accurate, and honest about where it isn’t. We focus on a smaller set of schools so we can verify everything carefully. Faculty lists come from department websites rather than being inferred from publication records, so we know who should be in the data before we go looking. When we can’t find data on someone, we record the gap instead of dropping them. Every number comes with a coverage rate you can check against ground truth.

Everything in Trackademia is built from seven units. AI merges duplicate records across sources and tags each publication so these categories hold up:

  • Publication — citation counts, authors, journal, peer review status, and more
  • Publication group — versions of the same work combined into one entity, such as a working paper and the article it became
  • Academic
  • Department
  • University
  • Field
  • Journal

There are two modes. In Database mode you browse the underlying records and filter by any of the seven units. In Analytics mode you get graphs and comparisons, and you switch views to compare two departments, compare one department against the average of the others, or see them all at once. Tabs let you focus on a particular level of the data.

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Academic

Julie Stone Peters

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Academic

RankDistinguished
As of2025 · CV
DepartmentColumbia English
UniversityColumbia
FieldEnglish

Totals

Publications17
Citations333
h-index8 · OpenAlex citations of CV works
Citations per year in post8.3
Years in post40 from the CV positions

Coverage

Works with a count15 of 17
Share88%

Positions

Global Professorial Fellow, QUEEN MARY UNIVER…2022–2025
H. Gordon Garbedian Professor of English and…2010–
Byron and Anita Wien Professor of Drama and o…2008–2010
Professor, COLUMBIA UNIVERSITY2001–2008
Associate Professor, COLUMBIA UNIVERSITY1993–2001
Assistant Professor, COLUMBIA UNIVERSITY1986–1993

Top venues 14 venues

The 8 holding the most of these works; 6 more hold at least one.

Law & Literature2
Oxford University Press eBooks2
bepress Legal Repository1
Cambridge University Press eBooks1
Comparative drama1
Comparative Literature1
Eighteenth-Century Studies1
Law Culture and the Humanities1

Publications per year

Works this academic published in each year, by the year each work appeared; an undated work is in no year, and a work two colleagues wrote counts for each of them. The kind, works and year filters decide which works are here at all.

Citations per year

No drawing here: no year the filters keep carries a citation figure for this academic.

Publications 17 works

Every work these filters select, most cited first and the works with no count at the end: a work nobody has a figure for is unknown, never a zero to be ranked among the works that have one, and it prints an em dash. Each figure is that work’s own citations - Scholar’s count where there is one, else OpenAlex’s - and is not weighted.

YearTitleVenueKindCitations
2005Law, Literature, and the Vanishing Real: On the Future of an Interdisciplinary IllusionPMLA/Publications of the Modern Language Association of Ame…article89
2008Legal Performance Good and BadLaw Culture and the Humanitiesarticle82
2022Law as Performance: Theatricality, Spectatorship, and the Making of Law in Ancient, Medieval, and Early Modern EuropeOxford University Press eBooksbook46
1995Women’s Rights, Human Rights: International Feminist PerspectivesPopulation and Development Reviewedited volume21
2014Theatrocracy Unwired: Legal Performance in the Modern MediasphereLaw & Literaturearticle20
2005‘Literature,’ the ‘Rights of Man,’ and Narratives of Atrocity: Historical Backgrounds to the Culture of Testimonybepress Legal Repositoryarticle20
1990Congreve, the Drama, and the Printed WordEighteenth-Century Studiesbook20
2000Theatre of the Book: Print, Text, and Performance in Europe 1480-1880Oxford University Press eBooksbook13
2024Staging Witchcraft Before the Law: Skepticism, Performance as Proof, and Law as Magic in Early Modern Witch TrialsCambridge University Press eBooksbook6
2004Theater and Book in the History of Memory: Materializing Mnemosyne in the Age of PrintModern Philologyarticle6
2009Drama, Primitive Ritual, Ethnographic Spectacle: Genealogies of World Performance (ca. 1890-1910)Modern Language Quarterlyarticle5
2005A ‘Bridge over Chaos’: De Jure Belli, Paradise Lost, Terror, Sovereignty, Globalism, and the Modern Law of NationsComparative Literaturearticle3
2008Jane Harrison and the Savage Dionysus: Archaeological Voyages, Ritual Origins, Anthropology, and the Modern TheatreModern Dramaarticle2
2018Staging the Last Judgment in the Trial of Charles IRepresentationsarticle0
2005Joan of Arc Internationale: Shaw, Brecht, and the Law of NationsComparative dramaarticle0
2023Performing Law in Ancient, Medieval, and Early Modern Europe (with Some Thoughts on History, Theory, and Method)article
2006Theatricality, Legalism, and the Scenography of Suffering in the Trial of Warren Hastings and Richard Brinsley Sheridan’s PizarroLaw & Literaturearticle